Karen Kjaergaard
Journal
About Karen Kjaergaard
CV
Credits
Limited Editions
A NEEDLE IN A HAYSTACK (2022)
THE PERSISTENCE OF TIME (2021)
TAKE A LOOK AT YOURSELF (2019)
RUB & STUB (2018)
TEX A/S (2014)
MIRROCLE (2013)
Designer´s Cut (2013)
L.O.L. (2012)
The Gift Table (2011)
Whitetube (2010)
Babilu (2009)
i-Tube (2008)
7 Dwarfs (2007)
The Mat Map (2007)
SHUT UP! (2006)
Loop (2004)
M/S MOLLY (2005)
Honey I’m home
My Private Home Collection (2002)
My Private Garden (2005)
Curatorial Practice
ARCHITECTURE NEVER SLEEPS (2022)
Floor (2022)
ON/OFF (2021)
PROCESSING ARCHITECTURE (2021)
WE DO ARCHITECTURE (2020)
MaMA (2020)
WHY DO WE NEED ARCHITECTS? (2019)
DNA (2019)
ALL ROUND (2018)
RÅT! (2018)
AFGANG! (2017)
365 DAYS (2016), AAA
ADDRESSING ARCHITECTURE (2016), AAA
TO B OR NOT TO B (2016), AAA
HISTORY AS CATALYST (MILAN 2016), AAA
THE ANNIVERSARY EXHIBITION (2015), AAA
ENGAGING THROUGH ARCHITECTURE (MILAN 2015), AAA
BASE (2015), AAA
METIS (2014), AAA
DRAWING OF THE YEAR
AAA _ VARIOUS EXHIBITIONS
DANISH DESIGN AT THE HOUSE
THE TUBE 2014
THE TUBE 2013
THE TUBE 2012
jorn>>>>ensor
Copenhagen Design Week 2011
Ofelia Beach
BDA 2012
Reflecting Images
Still Light
It´s a small world
Mindcraft
Crafts Collection
MoMA Design Stores
Plastic Fantastic
Arbiter of taste
Shoes
Onsite Gallery
JORDEN KALDER (2023)
ENDANGERED SPACES (2022)
SPANT GOES LIVE (2022)
BYENS MINDSTE TEGNESTUE I BYENS MINDSTE GALLERI (2022)
SPEJLINGER AF EN FORSVUNDEN BYGGESKIK (2022)
SÅ SKRUER VI OP FOR IDEALISMEN (2022)
PERFORMNING PLASTIC SURGERY (2022)
GUD ER I DETALJEN (GOD IS IN THE DETAIL) (2020)
INSIDERS, OTHERED HISTORIES (2020)
MARBELLOUS (2021)
MIN MORMORS HUS (2020)
HVAD SKAL VI MED (MERE) BETON? (2019)
UNDER STØRRE BYER (2019)
THE OPENING (2019)
KARL OG TEKTONIKKEN (2019)
KÅRK (2019)
BOM (2019)
BYENS ANGST (2019)
FORM FOLLOWS PEOPLE (2019)
OPEN
OPEN (2023)
OPEN (2022)
OPEN (2021)
Interiors
DET LILLE HUS PÅ ODDEN (2018)
HØJBJERG DYREKLINIK (2019)
Restaurant ET
Plumrose
Norsminde Kro
Contact
Karen Kjaergaard
Conecus ciendus derchictae venecullam
Copyright © 2024 - Karen Kjaergaard.
by
Robert Holm Thomsen
.